{"title":"F mount","description":"\u003cp data-start=\"115\" data-end=\"587\"\u003eIntroduced in 1959, the Nikon F-mount committed the sort of audacious crime most manufacturers only dream of. It refused to become obsolete. With its three-lug bayonet, 44 mm throat, 46.5 mm flange distance, and a durability lifted straight from SP legend, it promised fast, rugged lenses and the kind of backward compatibility that made planned obsolescence look petty. “F” stood for “reF-lex,” because nothing says universal quite like a name that sounds like a bad pun.\u003c\/p\u003e\n\u003cp data-start=\"589\" data-end=\"1012\"\u003eOver sixty-odd years, the F-mount evolved just enough to keep people from noticing. AI and AI-S brought automatic indexing. Screw-drive AF gave way to AF-S and AF-P. G-types ditched the aperture ring, and E-types fiddled with electromagnetic diaphragms. And yet, at its core, it refused to change. A lens made when Kennedy was in office still clicks into a 2020 Nikon, quietly mocking every gadget that peaked before lunch.\u003c\/p\u003e\n\u003cp data-start=\"1014\" data-end=\"1486\"\u003eIt became a legend in war zones, on space missions, in factories, and in glossy studios, basically anywhere that didn’t have time for temperamental toys. Hundreds of NIKKOR lenses and adapters later, the F-mount remains Nikon’s backbone. It’s not flashy and not trendy, but it’s reliably present. It didn’t win by innovation exactly. It won by having the nerve to stay the same and by proving that the most radical act is often the simplest one, knowing what not to break.\u003c\/p\u003e","products":[{"product_id":"nikon-nikkor-h-auto-85mm-f-1-8-sways","title":"Nikon Nikkor H Auto 85mm f\/1.8","description":"\u003cp\u003e\u003cstrong\u003eWHAT CONDITION THE CONDITION IS IN: \u003cmeta charset=\"utf-8\"\u003e88-Day Confirmed Operation Warranty. It’s an older lens with some paint loss and light scuffs. There’s the typical dust you’d expect for its age and very light haze, but it wasn’t noticeable in testing. Focus is smooth, though not buttery. The aperture ring works as it should. It isn’t perfect, but it’s a solid user lens with plenty of life left. It adapts well with the FTZ adapter on Nikon Z bodies and works nicely on F, F2, and early Nikon film cameras. It comes with the original lens hood and a rear cap. More below on what makes this lens special. Or allegedly special, depending on how much you’ve already spent today.\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Nikon Nikkor H Auto 85mm f\/1.8 became famous the way some people do, by standing in the wrong place at the right time. It never begged for fashion assignments or collector adoration, yet there it was in 1966, clutched by David Hemmings in the movie \u003cem\u003eBlow-Up\u003c\/em\u003e, bolted to a Nikon F and looking more serious than the script required. That was all it took. Its real success, however, happened offscreen. Introduced in 1964, it was already a tough, metal-clad little realist, respected by photographers who preferred results to mythology.\u003c\/p\u003e\n\u003cp\u003eOptically, it behaves exactly as an 85 should, which is to say it knows when to flatter and when to tell the truth. Wide open at f\/1.8, it smooths sins and softens egos with creamy blur and forgiving edges. Stop it down and it sobers up fast, sharpening nicely by f\/5.6. Colours stay warm, distortion minds its manners, aberrations behave, and any vignetting politely exits by f\/3.5. It is a portrait lens with good breeding and no interest in theatrics.\u003c\/p\u003e\n\u003cp\u003eThat split personality suits \u003cem\u003eBlow-Up\u003c\/em\u003e, a film less about photography than about the delicious misery of not knowing what you’re looking at. Wide open, the lens is dreamy and indulgent. Stopped down, it’s crisp and unsentimental. The photographer thought he found truth and instead got doubt, grain, and a headache. The lens did nothing mystical. It rendered light, followed instructions, and went home. Its cult status comes not from its cameo, but from competence. It never asked for fame, which is precisely why it deserved it.\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Nikon Nikkor","offers":[{"title":"Default Title","offer_id":47167179391163,"sku":"NIK-NKR-LNS-FM-FA-100095","price":228.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0645\/6960\/6331\/files\/NIK-NKR-LNS-FM-FA-100095-nikon-nikkor-h-auto-f-mount-vintage-lens-used-0002-reverse.jpg?v=1762993561"},{"product_id":"nikon-af-nikkor-zoom-35-70mm-f-3-3-4-5-intrigues","title":"Nikon AF Nikkor Zoom 35-70mm f\/3.3-4.5","description":"\u003cp\u003e\u003cstrong\u003eWHAT CONDITION THE CONDITION IS IN: \u003cmeta charset=\"utf-8\"\u003e88-Day Confirmed Operation Warranty. Not much to report here. There’s a bit of dust in the elements, but it works perfectly with smooth focus, zoom, and f stops. It’s a great little gem of a lens at an attractive price. Scroll down for the details, if you’ve got the time and curiosity. Both are optional.\u003cb id=\"docs-internal-guid-bb47de12-7fff-33d3-710f-555027c38fa2\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eSome tools don’t wow you, but you can’t do without them. The Swiss Army knife isn’t the sharpest or fanciest, but when you need it, it’s a lifesaver. The Nikon AF Nikkor Zoom 35-70mm f\/3.3-4.5, introduced in 1986 as a kit lens for early Nikon autofocus SLRs, is the photographic equivalent: practical, reliable, and always ready when you need it.\u003c\/p\u003e\n\u003cp\u003eLightweight, compact, and affordable, it's an all-purpose zoom covering wide-angle to short telephoto with eight elements in eight groups and a mixed metal-plastic construction that feels exactly as premium as that description suggests. Which is to say: functional, honest, and unpretentious. \u003cmeta charset=\"utf-8\"\u003eThe push-pull zoom mechanism is delightfully retro \u003cmeta charset=\"utf-8\"\u003eand there's a 35mm close-up mode tucked in there, much like that tiny magnifying glass on a Swiss Army knife that you forgot existed until you needed it.\u003c\/p\u003e\n\u003cp data-start=\"1494\" data-end=\"1902\"\u003eIts 52mm filter size, retractable design, and portability make it ideal for travel and general photography. It's not going to out-resolve a prime or out-bokeh a fast lens, but it'll give you wide, normal, and short tele in one package that weighs less than a paperback novel.\u003c\/p\u003e\n\u003cp data-start=\"1904\" data-end=\"2052\"\u003e\u003cmeta charset=\"utf-8\"\u003ePractical, versatile, and budget-friendly, the 35-70mm f\/3.3-4.5 is Nikon's photographic Swiss Army knife, unfashionable, unsung, but undeniably useful. It delivers solid performance for those who value convenience over ultimate optical perfection. It won't make you famous, but it will get you through the day, and sometimes that's exactly what you need.\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Nikon Nikkor","offers":[{"title":"Default Title","offer_id":47167308497083,"sku":"NIK-NKR-AF-ZOM-LNS-FM-GD-100131","price":58.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0645\/6960\/6331\/files\/NIK-NKR-AF-ZOM-LNS-FM-GD-100131-nikon-af-nikkor-zoom-35-70mm-f-mount-digital-lens-used-0004-focus.jpg?v=1762993853"}],"url":"https:\/\/www.foxandtalbot.com\/collections\/nikon-f-mount.oembed","provider":"Fox and Talbot Cameras","version":"1.0","type":"link"}