{"title":"New Arrivals","description":"\u003cp\u003eThese cameras have outlived several marriages, at least one moon landing conspiracy theory, and whoever originally called them \"vintage\" instead of \"old,\" and honestly we've lost track of how many of each. We test them anyway, because sentimentality doesn't fix a sticky shutter.\u003c\/p\u003e\n\u003cp\u003eFresh in: 35mm SLRs and rangefinders, medium format TLRs and modular bodies, manual lenses from Nikkor, Zuiko, Leica, and Carl Zeiss. All inspected for haze, fungus, and other things that sound worse than they are.\u003c\/p\u003e\n\u003cp\u003eNo stock photos, no inflated \"Mint++++\" grading, we just photograph the actual piece and tell you the truth about it.\u003c\/p\u003e\n\u003cp\u003eMost working pieces are backed by an 88-Day Warranty, a few are sold as-is, flaws and all, for buyers who know what they're getting into.\u003c\/p\u003e\n\u003cp\u003eShips from Vancouver to whoever's ready to treat it better than we treat our own coffee habits.\u003c\/p\u003e","products":[{"product_id":"canon-new-f-1-with-winder-slr-camera","title":"Canon New F-1 SLR Camera with AE Viewfinder and Motor Drive","description":"\u003cp\u003e\u003cstrong\u003eWHAT CONDITION THE CONDITION IS IN: \u003cmeta charset=\"utf-8\"\u003e88-Day Confirmed Operation Warranty. Fully functional and well maintained, this new F1 shows only light wear. There’s a very small indent on the film card holder, not the body, and slight brassing on the bottom plate. There’s minor dust in the viewfinder. Shutter speeds and meter test well within tolerance. The winder works with batteries and is in great cosmetic shape. Scroll down to learn why this camera thinks it’s remarkable. Spoiler: it has a point.\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eTokyo, 1981. The izakayas buzzed, the sake was too warm, and Canon showed up in black enamel and brass, far too pleased with itself. The Canon New F-1 didn’t arrive with a parade, just a confident swagger. It was a professional’s camera that knew exactly who it was. By then, Canon had spent a decade proving it could match Nikon’s brains and brawn. The New F-1 wasn’t just proof; it was a statement, closing the mechanical era with the quiet confidence of someone who’s always right.\u003c\/p\u003e\n\u003cp\u003eIt offered interchangeable finders and focusing screens, a system so flexible it still feels bold today. Eye-level for purists, AE Finder FN for those flirting with automation, waist-level for anyone dreaming of Rolleiflex days. The 1980s promised convenience. Canon offered a relationship.\u003c\/p\u003e\n\u003cp\u003ePerfect? Hardly. It weighs more than a moral dilemma and makes you work for every shot. But that’s the point. The New F-1 doesn’t care about being easy. It cares about being excellent. In an age when “new” meant “disposable,” Canon built something better: craftsmanship with a pulse and just enough attitude to outlast the years.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":47142304743611,"sku":"CAN-F1N-SLR-FDM-GD-100111","price":658.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0645\/6960\/6331\/files\/CAN-F1N-SLR-FDM-GD-100111-canon-f1n-with-power-winder-fd-mount-vintage-camera-used-0002-front.jpg?v=1762107340"},{"product_id":"leica-leitz-summicron-5cm-f-2-ltm-rangefinder-lens","title":"Leica Summicron 5cm f\/2 LTM Lens","description":"\u003cp class=\"whitespace-normal break-words\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eWHAT CONDITION THE CONDITION IS IN: \u003cmeta charset=\"utf-8\"\u003e88-Day Confirmed Operation Warranty. This lens is in surprisingly good shape. It had a recent CLA, and the focus and f-stop are smooth. The glass is very clean, dust and haze-free, ready for your LTM camera or any m-mount body with an adapter (not included). Keep scrolling for the full story or skip to the pictures. We won’t judge. Much.\u003c\/strong\u003e\u003cb id=\"docs-internal-guid-35c3ccc3-7fff-154a-9ac7-6ff464e517b0\"\u003e\u003cspan\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eLet's begin with what this lens isn't: radioactive. Serial number 1364904, a 1956 collapsible Leica Summicron 5cm f\/2 in LTM mount, came along just late enough to dodge the Lanthanum glass experiment of 1953, which means it won't slowly turn yellow like a smoker's teeth.\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eWhat it is, however, is everything Leica does well when they're not busy irradiating their optics. Legendary optical quality packed into a compact, collapsible body that folds down like a gentleman's umbrella. At just 5cm it's said to be sharp wide open at f\/2, which is either impressive engineering or witchcraft, depending on your tolerance for German precision.\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eSome say the images it produces are natural, subtly coloured, low in contrast, the kind of rendering that makes modern lenses look like they're shouting when a whisper would do. Smooth bokeh, minimal distortion, and modest flare that's easily tamed with a hood, assuming you remember to bring one.\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eThe solid brass collapsible construction feels substantial in a way plastic never will, with a long 180-degree focus throw that rewards deliberation over haste. There's a spring-loaded infinity lock and a positively clicked aperture ring, because Leica believed controls should feel like controls, not suggestions.\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eOn film cameras, it performs beautifully. On digital bodies, it offers that classic vintage look everyone's chasing with presets and filters, except this one's baked into the glass itself. Just don't collapse it on certain film or digital bodies unless you enjoy expensive repair bills. The internet will tell you which ones, assuming you're the sort who reads the internet.\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eThe Summicron 5cm f\/2 LTM is highly collectible, which is another way of saying people who own them rarely let them go. It's compact, characterful, and delivers timeless results with the kind of optical charm that can't be replicated, only experienced. In short, it's everything a fifty should be, assuming you believe a fifty should have opinions.\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Leica Leitz","offers":[{"title":"Default Title","offer_id":47157882421435,"sku":"LEI-LNS-CRO-50-2-MM-GD-100041","price":1278.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0645\/6960\/6331\/files\/LEI-LNS-CRO-50-2-MM-GD-100041-leica-summicron-5cm-f2-rangefinder-ltm-mount-leitz-vintage-lens-used-0003-focus.jpg?v=1763088174"},{"product_id":"fujica-half-drive-35mm-film-camera","title":"Fujica Half Drive 35mm Film Camera","description":"\u003cdiv data-test-render-count=\"1\"\u003e\n\u003cdiv class=\"group  relative pb-3\" data-is-streaming=\"false\"\u003e\n\u003cdiv class=\"font-claude-response  relative  leading-[1.65rem]  [\u0026amp;_pre\u0026gt;div]:bg-bg-000\/50  [\u0026amp;_pre\u0026gt;div]:border-0.5  [\u0026amp;_pre\u0026gt;div]:border-border-400  [\u0026amp;_.ignore-pre-bg\u0026gt;div]:bg-transparent  [\u0026amp;_.standard-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2  [\u0026amp;_.standard-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8  [\u0026amp;_.progressive-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2  [\u0026amp;_.progressive-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8\"\u003e\n\u003cdiv class=\"grid-cols-1 grid gap-2.5 [\u0026amp;_\u0026gt;_*]:min-w-0 standard-markdown\"\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eWHAT CONDITION THE CONDITION IS IN: \u003cmeta charset=\"utf-8\"\u003e88-Day Confirmed Operation Warranty. This camera is in great cosmetic condition. The viewfinder has been cleaned, the light seals replaced, and the shutter speeds are within acceptable tolerance. There is light dust inside the lens, but it doesn’t affect image quality. The clockwork motor works flawlessly. The built-in meter doesn’t work, but the camera is fully usable and makes a great user camera. Scroll down for the details, assuming you have the time and the curiosity. Both are optional.\u003c\/strong\u003e\u003cb id=\"docs-internal-guid-c3d566f5-7fff-c389-ed63-9a99f3e45d45\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003eIn 1964, executives stared at the Fujica Half the way some men stare at a perfectly good martini before adding umbrellas and thought, \"You know what this needs? More complexity.\" Because apparently, advancing film by hand wasn't elegant enough, so they added a spring-wound mechanical motor that automatically advances the film and cocks the shutter for up to 20 shots per wind, giving the camera a distinctive clockwork feel.\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eIt's brilliantly unnecessary, like adding an automatic transmission to a bicycle. The Swiss make watches. The Japanese make watches that also take pictures. And somehow, it actually works beautifully.\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eThis Fujica Drive, serial number 300755, is an early example of Fuji Photo Film Co.'s unique and collectible half-frame 35mm camera introduced in 1964, built on the design of the Fujica Half with a spring motor added because the Japanese approach to innovation has always been \"yes, and also this.\"\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eIt's fitted with a Fujinon 2.8cm f\/2.8 lens that's genuinely excellent for street photography and offers both manual and automatic exposure modes powered by a selenium meter, though the meter on this unit is no longer accurate, so you'll need an external meter, but the spring motor still winds like a dream.\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eThe sturdy all-metal construction gives it a solid, premium feel, and a standard 36-exposure roll yields 72 images measuring 24x18mm, with that spring motor delivering smooth, rapid-fire shooting that makes shooting feel effortless.\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eThe Fujica Drive is what happens when Japanese engineers over-engineer something in exactly the right way. They took a practical camera and added mechanical wizardry that actually enhances the shooting experience. It's clever and wonderfully Japanese: solving problems with more precision than strictly necessary and somehow making you grateful they bothered.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fujifilm Fujica","offers":[{"title":"Default Title","offer_id":47164462629051,"sku":"FJC-HLF-ZFC-FXL-EX-100059","price":98.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0645\/6960\/6331\/files\/FJC-HLF-ZFC-FXL-EX-100059-fujifilm-fujica-half-frame-drive-35mm-rangefinder-vintage-film-camera-used-0001.jpg?v=1766973089"},{"product_id":"mamiya-6-rangefinder-camera","title":"Mamiya 6 Rangefinder Camera \u0026 75mm f3.5 Lens - CLA'd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eWHAT CONDITION THE CONDITION IS IN: 88-Day Confirmed Operation Warranty. \u003cmeta charset=\"utf-8\"\u003eFully functional and well maintained, this camera shows moderate wear. It was serviced by Precision Camera Works a few years ago. The viewfinder is bright and clear. The meter works but, like all Mamiya 6s, tends to underexpose. Body wear includes paint loss on the advance lever, bottom plate, and strap lugs, plus three scratches below the “M” on the top plate. The 75mm f\/3.5 lens is in excellent condition. All leaf shutter speeds are accurate, though 1\/500 runs about half a stop slow. It comes with the original lens hood but is missing both caps. More below on what makes this camera special, or allegedly special, depending on how much you’ve spent today.\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA square symphony from Japan’s late bubble years, 1989 to 1995, a time when Walkmans strutted, Tokyo neon hummed, and amid the shoulder pads and economic euphoria, Mamiya quietly produced something rare: a camera that didn’t shout. It whispered.\u003c\/p\u003e\n\u003cp\u003eDesigned, perhaps, by an introspective watchmaker, every dial feels deliberate, every click as soft and sure as a cat landing on tatami. It’s a \u003ca href=\"https:\/\/www.foxandtalbot.com\/collections\/rangefinders-for-purists\" title=\"Shop all of our rangefinder film cameras\"\u003erangefinder\u003c\/a\u003e, yes, but not the fussy, beady-eyed sort that demands you recalibrate your soul before every shot. Instead, it coaxes you in with a bright, generous finder and an RF patch that actually cooperates, miracles both, in the medium format world.\u003c\/p\u003e\n\u003cp\u003eThe 6x6 cm negative is a perfect square, a compositional democracy where nothing leans too far left or right. Twelve exposures per roll, just enough to make you feel both thrifty and profound. What are twelve frames, really, in the shutter-clicking span of human experience?\u003c\/p\u003e\n\u003cp\u003eThe G-series lenses, especially the 75mm f\/3.5, are optical folklore, sharp without vanity, bokeh that melts rather than blurs, contrast that flatters without lying. You almost forgive the late-’80s mania for over-engineering when it produces glass this honest.\u003c\/p\u003e\n\u003cp\u003eIts retractable lens mount proves the Japanese knew collapsibility was a virtue, not a compromise, and the electronic shutter, syncing flash at any speed, was either cutting-edge or just showing off. Until, of course, a dead battery reminds you that progress charges interest.\u003c\/p\u003e\n\u003cp\u003eStill, the Mamiya 6 remains a rare moment of Japanese restraint, a \u003ca href=\"https:\/\/www.foxandtalbot.com\/collections\/medium-format\" title=\"Shop our medium format film cameras\"\u003emedium format\u003c\/a\u003e camera you could actually carry without a chiropractor. Compact, capable, and refreshingly sensible. It didn’t last, naturally. But for six fleeting years, sanity poured itself one last drink and called it art.\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Mamiya","offers":[{"title":"Default Title","offer_id":47165043474619,"sku":"MAM-6-RF-BOD-GD-100018","price":3688.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0645\/6960\/6331\/files\/MAM-6-RF-BOD-GD-100018-mamiya-6-rangefinder-medium-format-vintage-film-camera-used-0006-front-right.jpg?v=1762997549"},{"product_id":"mamiya-7ii-black-body-serviced","title":"Mamiya 7 II Rangefinder Camera - CLA'd","description":"\u003cp\u003e\u003cstrong\u003eWHAT CONDITION THE CONDITION IS IN: \u003cmeta charset=\"utf-8\"\u003e88-Day Confirmed Operation Warranty. \u003cmeta charset=\"utf-8\"\u003eThis fully functional Mamiya 7 II body shows light wear on the winder and some paint loss on the timer button. Serviced by Precision Camera Works a few years ago, it’s worked perfectly since. The viewfinder is clear and bright, the meter is accurate, and the mechanics are smooth. It’s a great example of this iconic camera and ready to shoot. \u003cmeta charset=\"utf-8\"\u003eComes with original manual. No battery included. Scroll down to learn why it thinks it’s remarkable. Spoiler, it has a point.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMid-1990s. A Japanese designer stares at the original Mamiya 7 with the expression of someone who's just realized they forgot to add the wasabi. The camera was brilliant, sure, but brilliance has never stopped the Japanese from tinkering. So they poured another cup of sake, rolled up their sleeves, and thought, \"What if we made it better?\"\u003c\/p\u003e\n\u003cp\u003eThe result is the Mamiya 7ii, a refined evolution that preserves the legendary 6x7 image quality while introducing several thoughtful upgrades that enhance usability and reliability. In other words, they fixed things that weren't quite broken but weren't quite right either.\u003c\/p\u003e\n\u003cp\u003eCompact yet robust, it features a die-cast aluminum body with a deeper, more ergonomic grip and a relocated exposure compensation dial for improved handling. The 7II adds a true multi-exposure mode, allowing creative double exposures, which is either a nod to artistic expression or an admission that film photographers occasionally like to mess things up on purpose.\u003c\/p\u003e\n\u003cp\u003eThe exposure compensation system was simplified to a one-button operation, an additional strap lug was added for more balanced carrying options, and the cable release socket was repositioned for easier access during tripod use. It's a laundry list of minor improvements that, taken together, make you wonder why they didn't just do it right the first time. But that's not the Japanese way.\u003c\/p\u003e\n\u003cp\u003eThe Japanese way is iteration, refinement, and the quiet satisfaction of version 2.0. Like its predecessor, it employs a quiet leaf shutter system within the lenses for minimal vibration and full flash sync at all speeds, along with a built-in centre weighted light meter supporting both aperture priority and manual modes.\u003c\/p\u003e\n\u003cp\u003eShooting ten 6x7 exposures on 120 \u003ca href=\"https:\/\/www.foxandtalbot.com\/collections\/expired-film-exposes-itself\" title=\"Shop our expired 120 films\"\u003efilm\u003c\/a\u003e (or twenty on 220, if you can still find it), it delivers exceptional sharpness through the same acclaimed N-series lenses. The optics remain untouched. \u003cmeta charset=\"utf-8\"\u003eSometimes the wisest edit is a silent one.\u003c\/p\u003e\n\u003cp\u003eThough it shares the core strengths of the original, the 7 II's improved ergonomics, brighter polarized viewfinder, and enhanced functionality make it the most refined and user-friendly version of Mamiya's iconic medium format\u003ca href=\"https:\/\/www.foxandtalbot.com\/collections\/rangefinders-for-purists\" title=\"Shop our rangefinder cameras for sale\"\u003e rangefinder\u003c\/a\u003e system.\u003c\/p\u003e\n\u003cp\u003eMamiya took a beloved camera and made it better in ways we didn't know we needed until we held one. It's still a rangefinder that shoots rectangles the size of playing cards, still demands we focus manually and think before we shoot, but now it does it with a better grip and a brighter viewfinder.\u003c\/p\u003e\n\u003cp\u003ePour another cup of sake and appreciate the perfectionism.\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Mamiya","offers":[{"title":"Default Title","offer_id":47166938841275,"sku":"MAM-7II-RF-BOD-EX-100061","price":5188.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0645\/6960\/6331\/files\/MAM-7II-RF-BOD-EX-100061-mamiya-7ii-rangefinder-medium-format-6x7-vintage-film-camera-used-0007-front.jpg?v=1762994933"},{"product_id":"novoflex-magicball-camera-tripod-head-german","title":"Novoflex MagicBall Camera Tripod Head","description":"\u003cp\u003e\u003cstrong\u003eWHAT CONDITION THE CONDITION IS IN: \u003cmeta charset=\"utf-8\"\u003e88-Day Confirmed Operation Warranty. This MagicBall head bears the marks of its journeys: blue anodizing softly faded, a few honourable scuffs earned in the field. But don't let its weathered appearance fool you. The enchantment within remains unbroken. It works perfectly, complete and ready to channel your vision into frame after frame of captured light. The design whispers of old conjuring tricks. The performance speaks in spells. The backstory? Well, that's where things get interesting. Pour yourself a potion first. You'll need it for what comes next.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBavaria, 1998. A Novoflex engineer sits in a Memmingen workshop, staring at conventional ball heads with the expression of someone who's had one too many liters at Oktoberfest and decided the world needs fixing. Traditional ball heads, with their vertical notches and multi-knob compromises, offend his sense of fluid motion. He picks up a beer stein, hefty and solid, admires its single sturdy handle, and thinks: what if a ball head worked like this? One grip, total control, no nonsense.\u003c\/p\u003e\n\u003cp\u003eMonths later, the MagicBall arrives, and Novoflex learns that naming something \"MagicBall\" guarantees it'll either sound like a fortune-telling device or a \u003cmeta charset=\"utf-8\"\u003edungeon master's fever dream. Fortunately, the Germans aren't known for their marketing anxiety.\u003c\/p\u003e\n\u003cp\u003eThis\u003cstrong\u003e \u003c\/strong\u003eNovoflex MagicBall, introduced in 1998, is a German-engineered ball head celebrated for its rugged construction, innovative design, and 120° range of motion from its central ball, letting you position cameras quickly and precisely without a vertical notch.\u003c\/p\u003e\n\u003cp\u003eWeighing about 920g, roughly the heft of a small beer stein, it supports up to 10kg, making it suited for medium and large format cameras or heavy telephoto lenses. A single ergonomic handle controls all movement with adjustable friction, much like gripping that stein: one hand, total authority, no fiddling with secondary knobs.\u003c\/p\u003e\n\u003cp\u003eThe MagicBall won the prestigious iF Design Award in 1998 from Industrie Forum Design Hannover, recognizing its intuitive locking mechanism, exceptional range of motion, and overall engineering excellence. The line's evolved since, but the core philosophy remains: fast, intuitive operation without apology for the name.\u003c\/p\u003e\n\u003cp\u003eBecause when Germans build something this solid, this functional, this unapologetically practical, they can call it whatever they want. Even MagicBall.\u003c\/p\u003e\n\u003cp\u003eIn the end, it's exactly like a Bavarian beer stein: heavy, dependable, built to last generations, and controlled with one confident grip. The name's ridiculous. The execution's flawless. Pour another litre and trust the Germans knew what they were doing.\u003cspan style=\"color: rgb(179, 179, 179);\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Novoflex","offers":[{"title":"Default Title","offer_id":47168473301179,"sku":"NOV-MAG-TRI-GD-100003","price":248.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0645\/6960\/6331\/files\/NOV-MAG-TRI-GD-100003-novoflex-magicball-ballhead-tripod-used-0001.jpg?v=1762839165"},{"product_id":"expired-fujifilm-nph-400-35mm-film","title":"Fujifilm NPH 400-35mm C41 Film-Expired 2006","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cspan\u003eWHAT CONDITION THE CONDITION IS IN: AS IS.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFujifilm NPH 400, 35mm, sealed and priced by the roll, expired since 2006. Still tightly wrapped in its own optimism, like a wedding gift no one's had the heart to open since the marriage ended.\u003c\/p\u003e\n\u003cp\u003eThis film is Fuji's standard professional 400asa film. Fine grain (rivalling asa 100, apparently) good skin tones and neutral colours. \u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis film is best before close to 20 years ago. It is expired and offered AS-IS. We have not film tested it and although we are sure it was well stored, no guarantees are made as to quality. We recommend you do some testing before committing any important images to it. \u003c\/p\u003e\n\u003cp\u003eProcess (not included) in C-41 for colour negatives. \u003c\/p\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":47356771991739,"sku":"FUJ-35M-400-NPH-2006-100164","price":14.88,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0645\/6960\/6331\/files\/FUJ-35M-400-NPH-2006-100164-fuji-fujifilm-NPH400-35mm-expired-film-8260.jpg?v=1768365029"},{"product_id":"expired-fujifilm-provia-400f-35mm-film","title":"Fujifilm Provia 400F-35mm E6 Film-Expired 2004","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cspan\u003eWHAT CONDITION THE CONDITION IS IN: AS IS.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFujifilm Provia 400F colour transparency film. Sealed, single roll in box. Expired 2004\u003c\/p\u003e\n\u003cp\u003eProvia 400F was Fuji's 400asa slide film of choice for professional photographers. Fine grain, accurate colour and a decent ability to push the film made it a go-to for many photographers. \u003c\/p\u003e\n\u003cp\u003eThis film is best before more than 20 years ago. It is expired and offered AS-IS. We have not film tested it and although we are sure it was well stored, no guarantees are made as to quality. We recommend you do some testing before committing any important images to it. \u003c\/p\u003e\n\u003cp\u003eE-6 Process (not included) for colour transparencies (slides). \u003c\/p\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":47356850438331,"sku":"FUJ-35M-400-RHPII-2004-100174","price":28.88,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0645\/6960\/6331\/files\/FUJ-35M-400-RHPII-2004-100174-fujifilm-fuji-35mm-provia-400f-expired-film-8273.jpg?v=1768365090"},{"product_id":"kodak-ektramax-110-camera","title":"Kodak Ektramax 110 Camera","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cb id=\"docs-internal-guid-bb47de12-7fff-33d3-710f-555027c38fa2\"\u003e\u003cspan\u003eWHAT CONDITION THE CONDITION IS IN: AS IS. Not film tested. Overall not great shape for the body. Some corrosion on the battery terminals and debris in the edges. Lens appears clear. \u003cmeta charset=\"UTF-8\"\u003eScroll down to learn why this camera thinks it’s remarkable. Spoiler: it has a point.\u003c\/span\u003e\u003c\/b\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"markdown markdown-main-panel md-content enable-luminous-fast-follows enable-updated-hr-color stronger tutor-markdown-rendering\" id=\"model-response-message-contentr_edc539a4fe2f6ae9\" dir=\"ltr\"\u003e\n\u003cdiv class=\"\" dir=\"\"\u003eEvery once in a while, an object shows up with something to prove, and isn't that always the most interesting kind?\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv class=\"\" dir=\"\"\u003eIn 1978, Kodak, a company perfectly content to sell the world cheerful, forgettable snapshots, decided to make a camera with opinions: the Ektramax, a 110-format pocket camera that looked at the Canon 110ED and the Pentax Auto 110 and said, hold my beer.\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv class=\"\" dir=\"\"\u003eIt packed a 25mm f\/1.9 Ektar lens, one of the first mass-produced aspheric lenses ever handed to an amateur, into a body still small enough to call itself a \"pocket camera,\" though that's a bit like calling a Great Dane a lapdog.\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv class=\"\" dir=\"\"\u003eThis copy, serial 637816, dates to somewhere around late 1979 or 1980, though Kodak, in its infinite wisdom, kept no registry of individual units, so we're left doing archaeology with a camera that still takes better pictures than most of us deserve. Feed it something like Lomography Tiger 200 today and the thing still performs a small miracle: shallow depth of field from a film format designed for grandmothers photographing casseroles, indoor shots with a clarity that shouldn't be possible from a negative smaller than a postage stamp.\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv class=\"\" dir=\"\"\u003eIt has its indignities, of course: a battery door latch with the structural integrity of a stale cracker, a flash capacitor that fails with the theatrical timing of a diva, a girth that makes \"pocket\" feel like false advertising, but that's the price of ambition, isn't it?\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv class=\"\" dir=\"\"\u003eThe Ektramax never got the empire it was promised, but it left behind a small, stubborn proof that even the humblest format can be made to sing, if only someone's brave enough to ask it to.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Kodak","offers":[{"title":"Default Title","offer_id":48201918873787,"sku":"SUBM-KODA-25-F1.9-FILM-110-100199","price":28.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0645\/6960\/6331\/files\/download_1b054907-8ee5-480a-b767-5845a7617d7f.jpg?v=1785966577"},{"product_id":"hasselblad-v-system-camera-winding-knob-44024","title":"Hasselblad V-System Camera Winding Knob","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cstrong\u003eWHAT CONDITION THE CONDITION IS IN: 88-Day Confirmed Operation Warranty. This winder is in near perfect condition. It works and comes with the original box. Keep scrolling for the full story or skip to the one picture (it was a busy day and we ran out of time).\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThere is a certain kind of photographer. You've met them, or perhaps you are them. Someone who believes that the act of winding film should feel like something and should carry the small ceremony of intention. It is for exactly this person that the Hasselblad V-System winding knob was made. Cat #44024 was machined in Göteborg with the quiet Swedish conviction that a thing worth doing is worth doing in metal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn a single, satisfying rotation it advances the \u003ca href=\"https:\/\/www.foxandtalbot.com\/collections\/expired-film-exposes-itself\" title=\"Browse our film for sale\"\u003efilm\u003c\/a\u003e and cocks the shutter. That sounds simple until you consider that Hasselblad engineers in the 1960s apparently decided that even this deserved precision tolerances, a leatherette inlay, and a silver accent ring. It's as though the camera's own geometry demanded a flourish at the end of each frame.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIt fits the 500C, 500C\/M, 503CX, and their kin. However, it'll politely decline the 503CW and the motorized EL bodies, because some classics have standards. Large hands and cold winters may find it unforgiving, which is either a design flaw or a character test.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eToday, boxed and near-mint, it's a bargain for a philosophy. There will always be photographers who choose the winding knob over the rapid crank the way certain writers choose fountain pens over keyboards: not despite the friction, but because of it.\u003c\/span\u003e\u003c\/p\u003e","brand":"Hasselblad","offers":[{"title":"Default Title","offer_id":48263634452667,"sku":"MFA-HASS-100202","price":68.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0645\/6960\/6331\/files\/hasselblad-v-system-winding-knob-44024-boxed.jpg?v=1787284216"},{"product_id":"fujifilm-4x-power-magnifying-loupe","title":"Fujifilm 4x Power Magnifying Film Loupe","description":"\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eWHAT CONDITION THE CONDITION IS IN: 88-Day Confirmed Operation Warranty. This lovely loupe looks like it's barely been used, no scuffs, no haze, just sitting pretty. It comes with its original box, cloth bag (similar to those Crown Royal ones, but less purple), lanyard, instructions, and even that little piece of protective foam. Seeing that bag reminded us we had a bottle on hand, and one thing led to another, so we didn't get around to photographing every last piece individually. Rest assured, they're all here: we're sometimes disorganized, but always honest. The backstory? Well, that's where things get interesting. Pour yourself some Crown. You'll need it for what comes next.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThere's something almost conspiratorial about the Fujifilm 4× Loupe. This small, silver-barreled relic from Japan asks you to slow down, crouch over a lightbox, and look, really look, at what you've made.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBorn as a high-end accessory and once handed out as a Fujichrome promotional premium (because nothing says \"we believe in our \u003ca href=\"https:\/\/www.foxandtalbot.com\/collections\/expired-film-exposes-itself\" title=\"Browse expired 35mm and 120 film stocks\"\u003efilm\u003c\/a\u003e\" like gifting the very tool to scrutinize it), it has since been discontinued. Which is exactly the kind of thing that transforms a useful object into a beloved one.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eIt's anastigmatic, multi-element, and fixed-focus. A transparent base lets ambient light do what built-in lighting never quite manages: feel natural. There is no diopter adjustment, no illumination, and no concessions to modern fussiness.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eYou get 4× magnification, a wide field of view, and the quiet confidence of metal and glass that has held its optical alignment through decades of darkrooms, editing tables, and the gentle chaos of creative life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFilm shooters trust it. Large-format photographers swear by it. And why wouldn't they? It reveals colour depth the way a good sentence reveals character. It isn't trying to be more than it is, which is perhaps why it endures.\u003c\/span\u003e\u003c\/p\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":48263635828923,"sku":"DARK-FUJI-100200","price":158.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0645\/6960\/6331\/files\/fujifilm-4x-power-magnifying-loupe.jpg?v=1787264715"},{"product_id":"hasselblad-hasselblad-polaroid-100-film-back","title":"Hasselblad Polaroid 100 Instant Film Back","description":"\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eWHAT CONDITION THE CONDITION IS IN: This item has never been introduced to film by us. It's being sold as-is. No warranty, no returns. For the adventurous type who likes their gear with a little mystery. Scroll down for the details, assuming you have the time and the curiosity. Both are optional.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA Stockholm studio, circa 1975. A photographer in a turtleneck tilts a freshly pulled Polaroid toward the light, squinting at a 6×6 cm proof the way a chess player studies the board before committing to a move that can't be taken back.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThat little ritual, repeated in studios the world over, was made possible in no small part by the Hasselblad 30198 Polaroid 100 Instant Film Back. It's a device so sensibly purposeful that it practically bristles at being called an accessory.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIt clipped onto most V-series bodies, accepted Polaroid Type 100 pack film, pressed it flat with a crisp glass pressure plate, tucked a dark slide in for protection, and asked nothing more of you than to pull the tab and wait. That's it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eNo algorithm, no histogram, no second screen. It was just chemistry and patience and the quiet confidence of a photographer who knew what they were doing before the shutter clicked.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOf course, the universe had other plans: Type 100 \u003ca href=\"https:\/\/www.foxandtalbot.com\/collections\/expired-film-exposes-itself\" title=\"Browse our expired film for sale\"\u003efilm\u003c\/a\u003e was discontinued, leaving the 30198 stranded between eras, clutching expired stock and transfer techniques like a diplomat whose country no longer exists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCollectors keep them. Creative shooters covet them. And the Hasselblad faithful still reach for it, because some tools don't just prove the exposure; they prove the photographer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003e*While Polaroid and Fujifilm stopped production, a company called One Instant (based in Vienna) currently produces hand-made Type 100 packs.\u003c\/em\u003e\u003c\/p\u003e","brand":"Hasselblad","offers":[{"title":"Default Title","offer_id":48263635959995,"sku":"MFA-HASS-100201","price":28.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0645\/6960\/6331\/files\/hasselblad-polaroid-100-film-back-rear-box.jpg?v=1787280656"},{"product_id":"leitz-wetzlar-14167-mr-ring-visoflex-m-to-leica-r-lens-adapter","title":"Leitz Wetzlar 14167 Visoflex M to Leica R Lens Adapter","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cstrong\u003eWHAT CONDITION THE CONDITION IS IN: 88-Day Confirmed Operation Warranty. Clean and pristine. Some very minor wear marks, only noted for full disclosure. Scroll down if you want to learn about the design, performance, and story behind it. Or don’t. It’ll be here either way.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe \u003ca href=\"https:\/\/www.foxandtalbot.com\/collections\/leica-teases-hard\" title=\"Shop our collection of Leica gear\"\u003eLeitz\u003c\/a\u003e Wetzlar 14167 is known in collector circles by the rather fetching nickname \"MR Ring.\" It's as though it were a jewel rather than a chunk of chrome-plated brass and anodized aluminum. It is one of those quietly brilliant solutions that only a certain kind of obsessive German engineering culture could have produced, and only in 1971.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIntroduced as the more refined successor to the earlier 14127, this precision adapter exists to answer a question most photographers never thought to ask: what happens when a lens designed for the peculiar optical distances of the Visoflex mirror housing suddenly wants to live on an R-series SLR body? This applies to the 65mm Elmar, the 90mm Elmarit, and the 135mm Tele-Elmar, each a small masterpiece of glass.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe 14167 is the answer, a mechanical diplomat fluent in both M-mount and R-body dialects. It allows those Visoflex lenses to achieve infinity focus on the Leicaflex SL, SL2, and the full R3-through-R9 lineage. It has the good manners to remind standard M-mount lenses that they're welcome too, though strictly as macro extensions, mind you.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIt carries no optics whatsoever and at roughly 103 grams, it adds mass without adding glass, confidence without compromise. Its tolerances are so tight that light leaks and mechanical play simply don't occur. There's the red alignment dot, the satisfying locking lever, and the stop-down metering that asks you to slow down and think.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIt's rare enough to make collectors lean forward slightly at estate sales, and significant enough that serious photographers still mount one without irony.\u003c\/span\u003e\u003c\/p\u003e","brand":"Leitz Wetzlar","offers":[{"title":"Default Title","offer_id":48274269929659,"sku":"35MM-LEIT-100222","price":118.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0645\/6960\/6331\/files\/download_3ea85aee-8a34-421f-a1ce-61b187d60d18.jpg?v=1787244053"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0645\/6960\/6331\/collections\/MAM-7II-RF-BOD-EX-100061-mamiya-7ii-rangefinder-medium-format-6x7-vintage-film-camera-used-0007-front.jpg?v=1787864683","url":"https:\/\/www.foxandtalbot.com\/collections\/new-camera-arrivals.oembed","provider":"Fox and Talbot Cameras","version":"1.0","type":"link"}